A large number of contemporary pop records are aimed at the so-called `disco scene`. A distinctive feature of most disco music is a heavy, repetitive and fairly complex percussive sound, which often has a characteristically artificial or `funky` quality. With the aid of the circuit described here, records from the `pre-disco era` or one`s party tapes can be lent this authentic disco `flavour` by the addition of a synthesised percussion track.
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